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Original Artikel |
Datum |
Titel |
Autoren Alle Autoren |
1 |
[GO] |
2024―Jul―10 |
Get back: analysing the impact of the COVID-19 pandemic on the Lowlands festival |
Milja A. Vriesema, Robert C. Kloosterman, Suzan W. M. van Kempen |
2 |
[GO] |
2024―Apr―30 |
Long COVID for the craft industry: findings from China's “Porcelain Capital” pre and post COVID |
Yawen Xu, Yu Tao, Benjamin Smith |
3 |
[GO] |
2024―Mrz―07 |
Conceptualizing Malaysian creative hubs: traversing normalcy to pandemicity and beyond |
Suet Leng Khoo |
4 |
[GO] |
2023―Aug―18 |
Deepening precarity - the impact of COVID-19 on freelancers in the UK television industry |
Jon Swords, Jennifer Johns |
5 |
[GO] |
2023―Jul―28 |
Understanding the factors that affected the resilience of performing arts workers during the COVID-19 pandemic |
Marie Nixon, Leon Davis |
6 |
[GO] |
2023―Jul―12 |
“It’s been a roller coaster”: insights from performing artists on the COVID-19 pandemic and cultural policy |
Cecilia Dinardi, Ana Wortman, Matías Muñoz Hernández |
7 |
[GO] |
2023―Mai―22 |
Performance, cultural resistance and social justice: India’s creative economies since the COVID-19 pandemic |
Priyanka Basu |
8 |
[GO] |
2023―Apr―13 |
Disruption in times of COVID-19? The hybrid film festival format |
Roderik Smits |
9 |
[GO] |
2023―Feb―24 |
Co-op mode: the emancipatory potential of freelancer co-operatives in the UK videogames industry following the COVID-19 pandemic |
Jack Morton |
10 |
[GO] |
2023―Jan―11 |
Artistic careers and crises. How did the pandemic affect Norwegian artists? |
Per Mangset, Bård Kleppe, Mari Torvik Heian |
11 |
[GO] |
2022―Sep―15 |
Negotiating hybridity, inequality, and hyper-visibility: museums and galleries’ social media response to the COVID-19 pandemic |
Jenny Kidd, Eva Nieto McAvoy, Ania Ostrowska |
12 |
[GO] |
2022―Sep―08 |
Cracking up: the pandemic effect on visual artists’ livelihoods |
Susan Jones |
13 |
[GO] |
2022―Mai―30 |
Understanding changes to perceived socioeconomic and psychosocial adversities during COVID-19 for UK freelance cultural workers |
Katey Warran, Tom May, Daisy Fancourt, Alexandra Burton |
14 |
[GO] |
2022―Mai―30 |
The impacts of digital initiatives on musicians during COVID-19: examining the Melbourne Digital Concert Hall |
Caitlin Vincent |
15 |
[GO] |
2022―Mai―14 |
The impact of COVID-19 on the cultural and creative industries: determinants of vulnerability and estimated recovery times |
J. D. Snowball, Andre Gouws |
16 |
[GO] |
2022―Apr―26 |
Factors associated with the attendance at cultural events in Mexico during the covid-19 pandemic |
Javier Reyes-Martínez, Carlos Andrade-Guzmán |
17 |
[GO] |
2022―Feb―24 |
The symphony orchestra in the time of COVID-19: will American orchestras rise from the ashes? |
Jeffrey Pompe, Lawrence Tamburri |
18 |
[GO] |
2022―Feb―08 |
The impacts of processes of digitalization on the reception of contemporary art in Turkey during Covid-19 |
Eser Selen, Aylin Sunam, Afife İdil Akın, Hilal Biçakcı, Arda Kaplan |
19 |
[GO] |
2021―Jan―12 |
Five months under COVID-19 in the cultural sector: a German perspective |
Cornelia Dümcke |
20 |
[GO] |
2020―Dez―13 |
Covid-19 and the African cultural economy: an opportunity to reimagine and reinvigorate? |
Avril Joffe |
21 |
[GO] |
2020―Sep―26 |
Culture as care: Argentina’s cultural policy response to Covid-19 |
Paula Serafini, Noelia Novosel |
22 |
[GO] |
2020―Aug―05 |
COVID-19, inclusion and workforce diversity in the cultural economy: what now, what next? |
Doris Ruth Eikhof |
23 |
[GO] |
2020―Jun―04 |
Creative and cultural work without filters: Covid-19 and exposed precarity in the creative economy |
Roberta Comunian, Lauren England |