| |
original article |
Date |
Title |
Authors Max. 6 Authors |
| 1 |
[GO] |
2021―Dec―22 |
The role of communication technologies between choreographer and composer during Aotearoa/New Zealand’s COVID-19 response |
Jesse Austin-Stewart, Jason Wright |
| 2 |
[GO] |
2021―Dec―22 |
Precarious scenes: Fieldwork in Hong Kong through protest and pandemic |
Jonathan Chan |
| 3 |
[GO] |
2021―Dec―03 |
Hearing the inaudible: The Hong Kong experimental music scene in the COVID-19 pandemic |
François Mouillot |
| 4 |
[GO] |
2021―Nov―27 |
‘It was hard before and it’s even harder now’: The impact of COVID-19 on Australia’s live music and arts entertainment industries |
Kat Nelligan, Pariece Nelligan |
| 5 |
[GO] |
2021―Nov―19 |
The social media strategies of punk and metal bands on Instagram during the COVID-19 closures of live music venues in Melbourne |
Al Marsden |
| 6 |
[GO] |
2021―Sep―10 |
Pandemic pedagogy and facilitating connection |
Katherine In-Young Lee |
| 7 |
[GO] |
2021―Aug―29 |
The impact of COVID-19 on music venues in regional South Australia: A case study |
Rosie Roberts, Sam Whiting |
| 8 |
[GO] |
2021―Aug―29 |
I lost a gig ‘pero ok lang’: Filipino migrant musicians in Australia during the COVID-19 pandemic |
Carljohnson Anacin |
| 9 |
[GO] |
2021―Aug―29 |
Seeking the live: Experiencing the COVID-19 pandemic as a postgraduate music student |
Alice Rose |
| 10 |
[GO] |
2021―Aug―29 |
Pre-existing conditions: Precarity, creative justice and the impact of the COVID-19 pandemic on the Victorian music industries |
Catherine Strong, Fabian Cannizzo |
| 11 |
[GO] |
2021―Aug―29 |
‘It Was COVID-19’: Keir Nuttall on life as a songwriter in the pandemic |
Gavin Carfoot |
| 12 |
[GO] |
2021―Aug―29 |
Virtual shakuhachi with dai-shihan Michael Chikuzen Gould: Shakuhachi learning before and during the pandemic |
Sarah Renata Strothers |
| 13 |
[GO] |
2021―Aug―29 |
Hitchhiker’s guide to reality: Devising an interdisciplinary radio play in a pandemic |
Briony Luttrell, Hannah Joyce Banks, Andy Ward, Lachlan Goold |
